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<title>English 180 - Canadian Literature</title>
<link rel="alternate" type="text/html" href="http://pwmartin.blog.uvm.edu/180/" />
<modified>2008-07-22T16:28:35Z</modified>
<tagline></tagline>
<id>tag:pwmartin.blog.uvm.edu,2008:/180/6</id>
<generator url="http://www.movabletype.org/" version="3.34">Movable Type</generator>
<copyright>Copyright (c) 2008, pwmartin</copyright>
<entry>
<title>English 180 Syllabus (Summer 2008)</title>
<link rel="alternate" type="text/html" href="http://pwmartin.blog.uvm.edu/180/archives/english_180_syllabus_summer_2008.php" />
<modified>2008-07-22T16:28:35Z</modified>
<issued>2008-07-22T16:28:18Z</issued>
<id>tag:pwmartin.blog.uvm.edu,2008:/180/6.813</id>
<created>2008-07-22T16:28:18Z</created>
<summary type="text/plain">English 180: Topics in Canadian Literature: 21st Century Canadian literature ENGS 180 Z, June 2-13th, 12:30 - 4:30 PM, M-F, LAFAYETTE L403 For a country of just 30 million people stretched over a vast territory and comprised of two major...</summary>
<author>
<name>pwmartin</name>
<url>http://www.uvm.edu/~pwmartin</url>
<email>Paul.Martin@uvm.edu</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://pwmartin.blog.uvm.edu/180/">
<![CDATA[<p style="text-align: center; font-size: 9px;"><span style="color: #871711; font-family: Garamond; font-weight: bold; font-size: 29px;">English 180: Topics in Canadian Literature:</span></p>
<p style="text-align: center; font-size: 9px;"><span style="color: #871711; font-family: Garamond; font-weight: bold; font-size: 29px;">21st Century Canadian literature</span></p>
<p style="text-align: center;"><span style="font-family: Cochin;"><br />
<span style="font-weight: bold; font-size: 13px;">ENGS 180 Z, June 2-13th, 12:30 - 4:30 PM, M-F, LAFAYETTE L403</span></span></p>
<p><span style="font-family: Cochin;">For a country of just 30 million people stretched over a vast territory and comprised of two major language groups, Canada has produced a remarkable number of world class writers, such as Margaret Atwood, Alice Munro, Michael Ondaatje, and Rohinton Mistry to name but a few. In the past two decades, in particular, Canadian literature has increasingly been seen by the world literary community as one of the hotbeds of new and innovative writing. In this course, we will focus on Canadian writing published in the last eight years to gain some perspective on the remarkable variety and quality of writing produced by our neighbors to the north. By focusing on novels and short fiction from writers spread across Canada, we will also examine questions of Canadian identity and the influence of the history of Canada on its present state.</span></p>
<p><span style="font-family: Cochin;">One of the challenges and also the pleasures of studying contemporary literature is that there is little consensus among critics as to what will be considered some day to be the "Great Works" of our time. In fact, courses that focus on very recent work are a fairly new development in the history of literary studies; it is a privilege and an exciting challenge to study the literature written in our time but from another place. The study of literature will be one of the areas we will continue to discuss throughout the course. We will spend some time looking at how courses get constructed and how this connects to questions of the literary institution and the literary canon.</span><br /></p>
<p><span style="font-family: Cochin;">I realize that six books in less than ten days will seem daunting. We will spend roughly a day per book, so this will be an intense course. Please don't book too many other obligations into your "spare time" over those two weeks. You'll need every hour you can squeeze out for reading and preparation. The class will be small, so you'll need to come to class each day with the book read and being ready to talk about it. There will be lots of time for discussion each day. When you're reading these books, especially if you're reading ahead of time, make sure to take notes about what interested you in the book and about particular pages or scenes you'd like us to take a look at in class. The great news about the intense nature of this course is that it should also make for an intense and interesting learning experience. You'll be immersing yourself in the world of six really interesting novels in just under two weeks and will have completed an entire semester's worth of work during that short time.</span></p><br />
<p><span style="font-family: Cochin; color: #871711; font-size: 18pt;"><strong>Required Texts:</strong></span></p>
<p><span style="font-family: Cochin;">Margaret Atwood, <span style="text-decoration: underline;">The Blind Assassin</span> (2000)</span></p>
<p>Joseph Boyden, <span style="text-decoration: underline; -webkit-text-decorations-in-effect: underline;">Three Day Road</span> (2005)<br /></p>
<p>Dionne Brand, <span style="text-decoration: underline; -webkit-text-decorations-in-effect: underline;">What We All Long For</span> (2005)</p>
<p>Douglas Coupland, <span style="text-decoration: underline; -webkit-text-decorations-in-effect: underline;">The Gum Thief</span> (2007)</p>
<p>Lisa Moore, <span style="text-decoration: underline;">Alligator</span> (2005)</p>
<p>Jacques Poulin, <span style="text-decoration: underline; -webkit-text-decorations-in-effect: underline;">My Sister’s Blue Eyes</span> (2007).</p>
<p><span style="font-family: Cochin;"><strong>Also required: a course notebook or journal to bring with you to every class for freewriting assignments.</strong></span><strong><br /></strong></p>
<p><span style="font-family: Cochin; color: #871711; font-size: 18pt;"><strong>Assignments:</strong></span><br />
<br />
<span style="font-family: Cochin;">First essay: 25% (1500 words),</span> <strong>due</strong> <span style="font-family: Cochin; font-weight: bold;">June 6</span><span style="font-family: Cochin;"><br />
Term paper: 40% (2000 words)</span> <span style="font-family: Cochin;"><strong>due June 16</strong></span><span style="font-family: Cochin;"><br />
Participation and attendance: 15%<br /></span><span style="font-family: Cochin;">Reading journal: 20%</span></p>
<p><span style="color: #FF0000; font-family: Cochin; font-size: 24px; font-weight: bold;"><span style="color: #871711;">Tentative Schedule:</span><br /></span></p>
<p>BOOKS ARE TO BE READ IN THEIR ENTIRETY BY THE FIRST DAY WE START DISCUSSING THEM IN CLASS</p>
<p><span style="font-family: Cochin;">June 2: Introduction to Canadian lit, Atwood's <span style="text-decoration: underline;">The Blind Assassin</span> (HAVE THE BOOK READ BY TODAY)</span></p>
<p>June 3: <span style="text-decoration: underline;">The Blind Assassin</span></p>
<p>June 4: Boyden, <span style="text-decoration: underline;">Three Day Road</span></p>
<p>June 5: Poulin, <span style="text-decoration: underline;">My Sister's Blue Eyes</span></p>
<p>June 6: TBA (First short paper due)</p>
<p>June 9: <span style="text-decoration: underline;">Alligator</span></p>
<p>June 10: <span style="text-decoration: underline;">What We All Long For</span></p>
<p>June 11: <span style="text-decoration: underline;">The Gum Thief</span></p>
<p>June 12: TBA</p>
<p>June 13: Writing Day</p>
<p>Monday, June 16th: Term paper due</p>
<p><span style="color: #871711; font-size: 24px; font-weight: bold;">Participation and blog grades:</span></p>
<p>Here's the rubric for how I determine grades for your participation and for blog assignments (if applicable)</p>
<p><span style="color: #871711; font-weight: bold; font-size: 16px;">Participation</span></p>
<p><span style="font-weight: bold; font-size: 14px;">A</span>: Nearly 100% attendance, unless due to illness or family emergency AND active participation in class. Clearly on top of the reading and regularly speaks in class. Always engaged in the discussion, whether vocally contributing or not.</p>
<p><span style="font-weight: bold; font-size: 14px;">B</span>: Missed very few classes (2 or 3 max), unless due to illness or family emergency. Participated in class vocally on a fairly regular basis, but, more importantly, is always listening and attentive to the ongoing discussion. Unprepared for class occasionally, but usually caught up on the reading and willing to contribute.</p>
<p><span style="font-weight: bold; font-size: 14px;">C</span>: Misses more than three classes for reasons other than illness or family emergency. Clearly behind in the reading on at least several occasions. Mostly attentive and speaks in class several times over the course of the semester. Makes a good effort to stay involved in class discussion and appears interested.</p>
<p><span style="font-weight: bold; font-size: 14px;">D</span>: Regularly missing from class and/or frequently appears disinterested. Routinely behind on reading and fails to bring books to class. Leaves class from time to time to take phone calls thinking that the professor thinks they are using the bathroom, continually passes notes back and forth with someone else, works on other homework, reads the newspaper during class, checks e-mail or text messages while instructor or classmates are speaking, all of which, I should add, are apparent to the instructor and your classmates and immediately qualify you for a D.</p>
<p><span style="font-weight: bold; font-size: 14px;">F</span>: Attendance and participation not worthy of a D or higher. Failure to attend most classes and/or to participate in any meaningful way.</p><br />
<p><span style="color: #871711; font-size: 16px; font-weight: bold;">Blogs</span></p>
<p><span style="font-size: 14px; font-weight: bold;">A</span>: To earn an A on the blog component of the course all assignments must have been completed and comments posted by the assigned deadline. Comments are thoughtful, fully answer the question asked, and, if specified, take into account the comments of other students.</p>
<p><span style="font-size: 14px; font-weight: bold;">B</span>: All assignments completed, mostly on time. Thoughtful comments, though perhaps briefer and less engaging than those that merit an A.</p>
<p><span style="font-size: 14px; font-weight: bold;">C</span>: Most assignments completed, primarily at the end of the semester and/or comments are short, perfunctory answers to the blog prompt with little consideration of the comments of others.</p>
<p><span style="font-size: 14px; font-weight: bold;">D</span>: Only partial completion of the assignments and comments show little commitment to making a contribution to the discussion.</p>
<p><span style="font-size: 14px; font-weight: bold;">F</span>: Failure to complete more than 50% of the assigned blog questions.</p>
]]>

</content>
</entry>
<entry>
<title>Essay topics (Summer 2008)</title>
<link rel="alternate" type="text/html" href="http://pwmartin.blog.uvm.edu/180/archives/essay_topics_summer_2008.php" />
<modified>2008-06-06T17:41:29Z</modified>
<issued>2008-06-06T17:40:12Z</issued>
<id>tag:pwmartin.blog.uvm.edu,2008:/180/6.812</id>
<created>2008-06-06T17:40:12Z</created>
<summary type="text/plain">Here are our essay topics (finally!) for the first essay. You can focus on just one book if you like, though you may find it interesting to discuss two.\ 1. &quot;The truth about stories,&quot; Thomas King tells us, &quot;is that&apos;s...</summary>
<author>
<name>pwmartin</name>
<url>http://www.uvm.edu/~pwmartin</url>
<email>Paul.Martin@uvm.edu</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://pwmartin.blog.uvm.edu/180/">
<![CDATA[<p>Here are our essay topics (finally!) for the first essay. You can focus on just one book if you like, though you may find it interesting to discuss two.\</p>
<p>1. "The truth about stories," Thomas King tells us, "is that's all that we are." Choosing one or two characters from <span style="text-decoration: underline;">The Blind Assassin</span>, <span style="text-decoration: underline;">Three Day Road</span>, and/or <span style="text-decoration: underline;">My Sister's Blue Eyes</span>, examine the function of stories in the character's/characters' life/lives. How do stories shape the character's/characters' behaviours? Do these stories or how they are looked at by the character(s) change over the course of the novel(s)?</p>
<p>2. Examine the role of fate or destiny in the lives of two characters from <span style="text-decoration: underline; -webkit-text-decorations-in-effect: underline;">The Blind Assassin</span>, <span style="text-decoration: underline; -webkit-text-decorations-in-effect: underline;">Three Day Road</span>, and/or <span style="text-decoration: underline; -webkit-text-decorations-in-effect: underline;">My Sister's Blue Eyes</span>.</p>
<p>3. Create a topic of your own. Please clear it with me first, though.</p>
<div style="text-align: center;">
  <span style="font-size: 14px; font-weight: bold;">Essay length: 1250-1500 words<br /></span>
</div>
<div style="text-align: center;">
  <strong><span style="font-size: 14px;">DUE June 9 at the latest<br /></span></strong>
</div>
<p><strong>A few tips:</strong> First, make sure to <a href="http://pwmartin.blog.uvm.edu/182/archives/2005/02/28/">cite your sources properly using MLA style</a>. MLA style and my grading criteria are outlined in detail in the essay handout I will distribute to you by e-mail. Second, make sure to give yourself enough time, even if it's only a day or a few hours to reread and revise your essay. <a href="http://pwmartin.blog.uvm.edu/180/archives/2005/03/16/">This posting</a> I made last year while grading essays will give you a few ideas as to some areas you might want to review before handing in your essay. Second, these essay topics are deliberately broad, allowing you the room to tailor them to what you find interesting about each book. Make sure to narrow the topic you choose enough to make it something manageable for a six page essay. You could easily write a book on any of these topics, so make certain your thesis is specific enough that you aren't biting off more than you can chew.</p>
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</content>
</entry>
<entry>
<title>The Blind Assassin</title>
<link rel="alternate" type="text/html" href="http://pwmartin.blog.uvm.edu/180/archives/the_blind_assassin.php" />
<modified>2008-06-02T16:52:52Z</modified>
<issued>2008-06-02T16:52:22Z</issued>
<id>tag:pwmartin.blog.uvm.edu,2008:/180/6.811</id>
<created>2008-06-02T16:52:22Z</created>
<summary type="text/plain"> Here are a few links to some interviews with Margaret Atwood from around the time of the publication of The Blind Assassin: Margaret Atwood: Queen of Can Lit: A series of clips from the CBC archives about Margaret Atwood....</summary>
<author>
<name>pwmartin</name>
<url>http://www.uvm.edu/~pwmartin</url>
<email>Paul.Martin@uvm.edu</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://pwmartin.blog.uvm.edu/180/">
<![CDATA[<div style="text-align: center;">
  <div style="text-align: left;">
    <br />
  </div><img src="http://pwmartin.blog.uvm.edu/180images/blindassassin.jpg" width="92" height="135" alt="blindassassin.jpg" /><br />
</div>
<p>Here are a few links to some interviews with Margaret Atwood from around the time of the publication of The Blind Assassin:</p>
<p><a href="http://archives.cbc.ca/arts_entertainment/literature/topics/1494-10063/">Margaret Atwood: Queen of Can Lit</a>: A series of clips from the CBC archives about Margaret Atwood. Watch the clip of her 2000 interview with Evan Solomon</p>
<p>An interesting <a href="http://januarymagazine.com/profiles/atwood.html#bookstory">interview with January Magazine</a></p>
<p><a href="http://www.charlierose.com/shows/2001/01/24/2/an-interview-with-margaret-atwood">Atwood interviewed by Charlie Rose</a> about <span style="text-decoration: underline;">The Blind Assassin</span> (also a <a href="http://www.charlierose.com/shows/2007/01/29/3/a-conversation-with-author-margaret-atwood">2007 interview</a> with him)</p>
<p>Another <a href="http://www.allangould.com/magazines/interviews/margaretatwood/magazines_interviews_margaretatwood.html">magazine interview</a> following <span style="text-decoration: underline;">The Blind Assassin</span></p>
<p><a href="http://www.mpr.org/books/titles/atwood_assassin.shtml">Interview and reading</a> by Atwood on Minnesota Public Radio</p>
]]>

</content>
</entry>
<entry>
<title>English 180 syllabus from fall 2007</title>
<link rel="alternate" type="text/html" href="http://pwmartin.blog.uvm.edu/180/archives/english_180_syllabus_from_fall_2007.php" />
<modified>2008-06-02T15:51:09Z</modified>
<issued>2008-06-02T15:42:14Z</issued>
<id>tag:pwmartin.blog.uvm.edu,2008:/180/6.810</id>
<created>2008-06-02T15:42:14Z</created>
<summary type="text/plain">English 180: Topics in Canadian Literature ENGS 180 B, 11:00 AM - 12:15 PM, TR, LAFAYETTE L311 This course is a broad survey of the last hundred years of fiction in Canada, from before the First World War to the...</summary>
<author>
<name>pwmartin</name>
<url>http://www.uvm.edu/~pwmartin</url>
<email>Paul.Martin@uvm.edu</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://pwmartin.blog.uvm.edu/180/">
<![CDATA[<p><span style="color: #871711; font-family: Garamond; font-size: 32px; font-weight: bold;">English 180: Topics in Canadian Literature</span></p>
<p style="text-align: center;"><span style="font-family: Cochin;"><br />
ENGS 180 B, 11:00 AM - 12:15 PM, TR, LAFAYETTE L311</span></p>
<p><span style="font-family: Cochin;">This course is a broad survey of the last hundred years of fiction in Canada, from before the First World War to the present day. We will cover novels and stories by writers from Canada's three founding peoples (English, French, and First Nations), although our primary focus will be on texts originally written in English. Throughout the course, we will also interrogate the connection between literature, place, and identity. By covering a wide range of texts from different language and cultural communities and from different regions of Canada, we will gain some perspective of the diversity of Canada, its peoples, and its literatures. At the same time, we will also question the assumptions we inevitably make about any country and its people through reading its literature. As with any survey course covering such a large period of time and variety of literary expression, the selections of readings is not meant to be comprehensive, but rather provides you with a wide sampling of periods, genres, and authors.<br />
<br />
This course will also allow you the opportunity to participate in the annual (and legendary) Canadian Studies field trip to Ottawa from October 18-20. this is an amazing trip that students frequently cite as being one of their best experiences at UVM. Although I am not requiring participation from the students in English 180, I strongly encourage you to participate. This is a terrific chance for you to explore Canada's capital city and to learn much more about the cultures and places about which we will be reading. Students from 180 who do not go on the trip will be required to complete an alternative assignment.<br />
<br />
Finally, I also encourage you to purchase your books from the campus bookstore. A number of the books I've chosen are not normally available in the United States and the UVM bookstore has gone to great efforts to track them down for us. You will find it easier and not likely much more expensive -- if at all -- to buy these books on campus rather than online.<br />
<br /></span><span style="font-family: Cochin; color: #871711; font-size: 18pt;"><strong>Required Texts:</strong></span><br />
<span style="font-family: Cochin;">Stephen Leacock,</span> <span style="font-family: Cochin; text-decoration: underline;">Sunshine Sketches of a Little Town</span> <span style="font-family: Cochin;">(Norton Critical Edition only)<br />
Gabrielle Roy,</span> <span style="font-family: Cochin; text-decoration: underline;">The Tin Flute</span><span style="font-family: Cochin;"><br />
Hubert Aquin,</span> <span style="font-family: Cochin; text-decoration: underline;">Next Episode</span><span style="font-family: Cochin;"><br />
Margaret Laurence,</span> <span style="font-family: Cochin; text-decoration: underline;">The Diviners</span><span style="font-family: Cochin;"><br />
Michael Ondaatje,</span> <span style="font-family: Cochin; text-decoration: underline;">In the Skin of a Lion</span><span style="font-family: Cochin;"><br />
George Elliott Clarke,</span> <span style="font-family: Cochin; text-decoration: underline;">George and Rue</span><span style="font-family: Cochin;"><br />
Eden Robinson,</span> <span style="font-family: Cochin; text-decoration: underline;">Monkey Beach</span><span style="font-family: Cochin;"><br />
<br /></span><span style="font-family: Cochin;"><strong>Also required: a course notebook or journal to bring with you to every class for freewriting assignments.</strong></span><strong><br /></strong></p>
<p><span style="font-family: Cochin; color: #871711; font-size: 18pt;"><strong>Assignments</strong></span><br />
<br />
<span style="font-family: Cochin;">First essay: 15% (1500 words),</span> <span style="font-family: Cochin;"><strong>due October 16</strong></span><span style="font-family: Cochin;"><br />
Second essay: 25% (2000 words)</span> <span style="font-family: Cochin;"><strong>due December 4</strong></span><span style="font-family: Cochin;"><br />
Blog contributions (minimum of one per week): 20%<br />
Participation and attendance: 10%<br />
Participation in Ottawa trip or alternate assignment: 5%</span><br />
<span style="font-family: Cochin;">Final exam: 25%</span></p>
]]>
<![CDATA[<p><span style="color: #871711; font-family: Garamond; font-size: 32px; font-weight: bold;">English 180: Topics in Canadian Literature</span></p>
<p style="text-align: center;"><span style="font-family: Cochin;"><br />
ENGS 180 B, 11:00 AM - 12:15 PM, TR, LAFAYETTE L311</span></p>
<p><span style="font-family: Cochin;">This course is a broad survey of the last hundred years of fiction in Canada, from before the First World War to the present day. We will cover novels and stories by writers from Canada's three founding peoples (English, French, and First Nations), although our primary focus will be on texts originally written in English. Throughout the course, we will also interrogate the connection between literature, place, and identity. By covering a wide range of texts from different language and cultural communities and from different regions of Canada, we will gain some perspective of the diversity of Canada, its peoples, and its literatures. At the same time, we will also question the assumptions we inevitably make about any country and its people through reading its literature. As with any survey course covering such a large period of time and variety of literary expression, the selections of readings is not meant to be comprehensive, but rather provides you with a wide sampling of periods, genres, and authors.<br />
<br />
This course will also allow you the opportunity to participate in the annual (and legendary) Canadian Studies field trip to Ottawa from October 18-20. this is an amazing trip that students frequently cite as being one of their best experiences at UVM. Although I am not requiring participation from the students in English 180, I strongly encourage you to participate. This is a terrific chance for you to explore Canada's capital city and to learn much more about the cultures and places about which we will be reading. Students from 180 who do not go on the trip will be required to complete an alternative assignment.<br />
<br />
Finally, I also encourage you to purchase your books from the campus bookstore. A number of the books I've chosen are not normally available in the United States and the UVM bookstore has gone to great efforts to track them down for us. You will find it easier and not likely much more expensive -- if at all -- to buy these books on campus rather than online.<br />
<br /></span><span style="font-family: Cochin; color: #871711; font-size: 18pt;"><strong>Required Texts:</strong></span><br />
<span style="font-family: Cochin;">Stephen Leacock,</span> <span style="font-family: Cochin; text-decoration: underline;">Sunshine Sketches of a Little Town</span> <span style="font-family: Cochin;">(Norton Critical Edition only)<br />
Gabrielle Roy,</span> <span style="font-family: Cochin; text-decoration: underline;">The Tin Flute</span><span style="font-family: Cochin;"><br />
Hubert Aquin,</span> <span style="font-family: Cochin; text-decoration: underline;">Next Episode</span><span style="font-family: Cochin;"><br />
Margaret Laurence,</span> <span style="font-family: Cochin; text-decoration: underline;">The Diviners</span><span style="font-family: Cochin;"><br />
Michael Ondaatje,</span> <span style="font-family: Cochin; text-decoration: underline;">In the Skin of a Lion</span><span style="font-family: Cochin;"><br />
George Elliott Clarke,</span> <span style="font-family: Cochin; text-decoration: underline;">George and Rue</span><span style="font-family: Cochin;"><br />
Eden Robinson,</span> <span style="font-family: Cochin; text-decoration: underline;">Monkey Beach</span><span style="font-family: Cochin;"><br />
<br /></span><span style="font-family: Cochin;"><strong>Also required: a course notebook or journal to bring with you to every class for freewriting assignments.</strong></span><strong><br /></strong></p>
<p><span style="font-family: Cochin; color: #871711; font-size: 18pt;"><strong>Assignments</strong></span><br />
<br />
<span style="font-family: Cochin;">First essay: 15% (1500 words),</span> <span style="font-family: Cochin;"><strong>due October 16</strong></span><span style="font-family: Cochin;"><br />
Second essay: 25% (2000 words)</span> <span style="font-family: Cochin;"><strong>due December 4</strong></span><span style="font-family: Cochin;"><br />
Blog contributions (minimum of one per week): 20%<br />
Participation and attendance: 10%<br />
Participation in Ottawa trip or alternate assignment: 5%</span><br />
<span style="font-family: Cochin;">Final exam: 25%<br /></span></p>
<p><br />
<span style="font-family: Cochin;"><strong>N.B. Late assignments will be penalized one grade increment per day past the assigned deadline, unless accompanied by a doctor's note outlining medical reasons for the delay. Extensions are available, but must be requested in writing no later than one week in advance of the original due date. There are no exceptions.</strong></span></p>
<p><span style="font-family: Cochin; color: #FF0000; font-size: 18pt;"><strong>Tentative Schedule</strong></span></p>
<p>BOOKS ARE TO BE READ IN THEIR ENTIRETY BY THE FIRST DAY WE START DISCUSSING THEM IN CLASS</p>
<p><span style="font-family: Cochin;">Aug. 28:</span> <span style="font-family: Cochin;"><strong>Introduction</strong></span><span style="font-family: Cochin;"><br />
<br />
Aug. 30: Literary histories of Canada<br />
<br />
Sept. 4: Stephen Leacock,</span> <span style="font-family: Cochin; text-decoration: underline;">Sunshine Sketches of a Little Town</span><span style="font-family: Cochin;"><br />
<br />
Sept. 6:</span> <span style="font-family: Cochin; text-decoration: underline;">Sunshine Sketches of a Little Town</span><span style="font-family: Cochin;"><br />
<br />
Sept. 11:</span> <span style="font-family: Cochin; text-decoration: underline;">Sunshine Sketches of a Little Town</span><span style="font-family: Cochin;"><br />
<br />
Sept. 13: Québec literature and the realist novel; Gabrielle Roy,</span> <span style="font-family: Cochin; text-decoration: underline;">The Tin Flute</span> <span style="font-family: Cochin;">(</span><span style="font-family: Cochin; text-decoration: underline;">Bonheur d'occasion</span><span style="font-family: Cochin;">)</span></p>
<p><span style="font-family: Cochin; color: #CC3300;"><strong>(Sept 14-16: Burlington Book Festival: Canadian writers Marie-Louise Gay, Sue Elmslie, and Jeffrey Moore)</strong></span><span style="font-family: Cochin;"><br />
<br />
Sept. 18:</span> <span style="font-family: Cochin; text-decoration: underline;">The Tin Flute</span><span style="font-family: Cochin;"><br />
<br />
Sept. 20:</span> <span style="font-family: Cochin; text-decoration: underline;">The Tin Flute</span><span style="font-family: Cochin;"><br />
<br />
Sept. 25: Performance</span> <span style="font-family: Cochin;">by James Douglas, Sunshine and Shadows</span></p>
<p><span style="font-family: Cochin;">Sept. 27: <span style="font-family: Helvetica;"><span style="font-family: Cochin; text-decoration: underline;">The Tin Flute</span></span><br />
<br />
Oct. 2: Hubert Aquin,</span> <span style="font-family: Cochin; text-decoration: underline;">Next Episode</span> <span style="font-family: Cochin;">(</span><span style="font-family: Cochin; text-decoration: underline;">Prochain Épisode</span><span style="font-family: Cochin;">)</span></p>
<p><span style="font-family: Cochin;">Oct. 4:</span> <span style="font-family: Cochin; text-decoration: underline;">Next Episode</span><span style="font-family: Cochin;"><br />
<br />
Oct. 9:</span> <span style="font-family: Cochin; text-decoration: underline;">Next Episode</span> <span style="font-family: Cochin;"><br />
<br />
Oct. 11: Margaret Laurence,</span> <span style="font-family: Cochin; text-decoration: underline;">The Diviners</span><span style="font-family: Cochin;"><br />
<br />
Oct. 16:</span> <span style="font-family: Cochin; text-decoration: underline;">The Diviners</span> <span style="font-family: Cochin;"><strong><span style="color: #FF0000;">(FIRST ESSAY DUE)</span></strong><br /></span><span style="font-family: Cochin;"><strong><br />
Oct. 18 - Ottawa Trip!</strong></span><span style="font-family: Cochin;"><br />
<br />
Oct. 23:</span> <span style="font-family: Cochin; text-decoration: underline;">The Diviners</span><span style="font-family: Cochin;"><br />
<br />
Oct. 25:</span> <span style="font-family: Cochin;"><span style="font-family: Helvetica;"><span style="font-family: Cochin; text-decoration: underline;">The Diviners</span></span><br />
<br />
Oct. 30:</span> <span style="font-family: Cochin;"><span style="font-family: Helvetica;"><span style="font-family: Cochin;">Michael Ondaatje,</span> <span style="font-family: Cochin; text-decoration: underline;">In the Skin of a Lion</span></span><br />
<br />
Nov. 1:</span> <span style="font-family: Cochin; text-decoration: underline;">In the Skin of a Lion</span><span style="font-family: Cochin;"><br />
<br />
Nov. 6:</span> <span style="font-family: Cochin;"><span style="font-family: Helvetica;"><span style="font-family: Cochin; text-decoration: underline;">In the Skin of a Lion</span></span><br />
<br />
Nov. 8:</span> <span style="font-family: Cochin;"><span style="font-family: Helvetica;"><span style="font-family: Cochin;">George Elliott Clarke,</span> <span style="font-family: Cochin; text-decoration: underline;">George and Rue</span></span><br />
<br />
Nov. 13:</span> <span style="font-family: Cochin; text-decoration: underline;">George and Rue</span><span style="font-family: Cochin;"><br />
<br /></span><span style="font-family: Cochin; color: #33CC33;">Nov. 15: no class, <span style="text-decoration: underline;">George and Rue</span> discussion continues online</span><br />
<span style="font-family: Cochin;"><strong><br />
Nov. 19-23: US Thanksgiving</strong></span><span style="font-family: Cochin;"><br />
<br />
Nov. 27: <span style="font-family: Helvetica;"><span style="font-family: Cochin; text-decoration: underline;">George and Rue</span></span></span></p>
<p><span style="font-family: Cochin;"><br />
Nov. 29:</span> <span style="font-family: Cochin;"><span style="font-family: Helvetica;"><span style="font-family: Cochin;">First Nations literature; Eden Robinson,</span> <span style="font-family: Cochin; text-decoration: underline;">Monkey Beach</span></span></span> <span style="font-family: Cochin;"><br />
<br />
Dec. 4:</span> <span style="font-family: Cochin; text-decoration: underline;">Monkey Beach</span> <span style="font-family: Cochin;"><span style="font-family: Helvetica;"><span style="font-family: Cochin;">(</span><span style="font-family: Cochin;"><strong>Second essay due)</strong></span></span><br />
<br />
Dec. 6 -</span> <span style="font-family: Cochin; text-decoration: underline;">Monkey Beach</span> <span style="font-family: Cochin;">(last day of class)<br />
<br /></span><span style="font-family: Cochin;"><strong>Dec. 10, 8 AM - FINAL EXAM (the final exam is on all material covered in the course and consists of an essay and a series of passage identification questions)</strong></span></p>
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</content>
</entry>
<entry>
<title>Remembering December 6, 1989</title>
<link rel="alternate" type="text/html" href="http://pwmartin.blog.uvm.edu/180/archives/remembering_december_6_1989.php" />
<modified>2007-12-06T18:57:43Z</modified>
<issued>2007-12-06T18:56:16Z</issued>
<id>tag:pwmartin.blog.uvm.edu,2007:/180/6.772</id>
<created>2007-12-06T18:56:16Z</created>
<summary type="text/plain">Every year on December 6, I mark the anniversary of the Montreal Massacre by taking a moment of silence in class after reading the names of the murdered women. People across Canada today, and especially on university and college campuses,...</summary>
<author>
<name>pwmartin</name>
<url>http://www.uvm.edu/~pwmartin</url>
<email>Paul.Martin@uvm.edu</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://pwmartin.blog.uvm.edu/180/">
<![CDATA[<p>Every year on December 6, I mark the anniversary of the <a href="http://archives.cbc.ca/IDD-1-70-398/disasters_tragedies/montreal_massacre/">Montreal Massacre</a> by taking a moment of silence in class after reading the names of the murdered women.</p>
<p>People across Canada today, and especially on university and college campuses, will be <a href="http://www.cbc.ca/canada/montreal/story/2006/12/06/qc-montrealmassacre061206.html">marking this anniversary</a> with speeches, candlelight vigils, and moments of silence. I hope we can all find some time in our classes, homes, or offices to remember the following young women who lost their lives eighteen years ago today.<br />
<strong><br />
Victims of the Montreal Massacre at l'École Polytechnique on December 6, 1989</strong></p>
<p><strong><em>Geneviève Bergeron</em></strong><strong><br /></strong><strong><em>Hélène Colgan</em></strong><strong><br /></strong><strong><em>Nathalie Croteau</em></strong><strong><br /></strong><strong><em>Barbara Daigneault</em></strong><strong><br /></strong><strong><em>Anne-Marie Edward</em></strong><strong><br /></strong><strong><em>Maud Haviernick</em></strong><strong><br /></strong><strong><em>Barbara Klucznik Widajewicz</em></strong><strong><br /></strong><strong><em>Maryse Laganière</em></strong><strong><br /></strong><strong><em>Maryse Leclair</em></strong><strong><br /></strong><strong><em>Anne-Marie Lemay</em></strong><strong><br /></strong><strong><em>Sonia Pelletier</em></strong><strong><br /></strong><strong><em>Michèle Richard</em></strong><strong><br /></strong><strong><em>Annie St-Arneault</em></strong><strong><br /></strong><strong><em>Annie Turcotte</em></strong><strong><br /></strong></p>
<p>In Canada, December 6 is the <a href="http://www.swc-cfc.gc.ca/dates/dec6/index_e.html">National Day of Remembrance and Action on Violence Against Women in Canada</a>. Established in 1991 by the Parliament of Canada, this day coincides with the sad anniversary of the death of fourteen young women who were tragically killed on December 6, 1989 at l'École Polytechnique in Montréal because of their gender.</p>
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</content>
</entry>
<entry>
<title>Speaking of Sasquatch...</title>
<link rel="alternate" type="text/html" href="http://pwmartin.blog.uvm.edu/180/archives/speaking_of_sasquatch.php" />
<modified>2007-12-05T03:10:54Z</modified>
<issued>2007-12-05T03:07:07Z</issued>
<id>tag:pwmartin.blog.uvm.edu,2007:/180/6.758</id>
<created>2007-12-05T03:07:07Z</created>
<summary type="text/plain"> Meet Quatchi!...</summary>
<author>
<name>pwmartin</name>
<url>http://www.uvm.edu/~pwmartin</url>
<email>Paul.Martin@uvm.edu</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://pwmartin.blog.uvm.edu/180/">
<![CDATA[<p style="text-align: center;"><img src="http://pwmartin.blog.uvm.edu/180/images/quatchi.jpg" width="157" height="174" alt="quatchi" /><br /></p>
<p style="text-align: center;"></p>
<p style="text-align: center;">Meet <a href="http://mash.zincroe.com/mascot/en/meet.php">Quatchi</a>!</p>
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</content>
</entry>
<entry>
<title>Final exam format and essay questions (Fall 2007)</title>
<link rel="alternate" type="text/html" href="http://pwmartin.blog.uvm.edu/180/archives/final_exam_format_and_essay_questions_fall_2007.php" />
<modified>2007-12-03T21:17:57Z</modified>
<issued>2007-12-03T21:17:46Z</issued>
<id>tag:pwmartin.blog.uvm.edu,2007:/180/6.757</id>
<created>2007-12-03T21:17:46Z</created>
<summary type="text/plain">Here are the essay questions for the final, as well as the layout of the first part of the exam. For the essay questions, only two of those listed below will be on the actual final. So, you should plan...</summary>
<author>
<name>pwmartin</name>
<url>http://www.uvm.edu/~pwmartin</url>
<email>Paul.Martin@uvm.edu</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://pwmartin.blog.uvm.edu/180/">
<![CDATA[<p>Here are the essay questions for the final, as well as the layout of the first part of the exam.</p>
<p>For the essay questions, only two of those listed below will be on the actual final. So, you should plan out how you would respond to at least two of them; if you plan for only one of them, you might find that it is the one I've chosen not to include. When you prepare to write on the essay topics, give yourself some flexibility as to which texts you might use so that you can have a wider range of choice for the passage identifications. Remember that you can't deal with the same work twice over the course of the exam, so you need to be ready to discuss all of the books we've covered in the course.</p>
<p><strong>PART A (40 points):</strong></p>
<p><strong>CHOOSE FOUR OF THE FOLLOWING SEVEN PASSAGES AND IDENTIFY THE FOLLOWING:</strong></p>
<ul>
  <li>The title and author of the text from which the passage is taken (1 mark)</li>

  <li>The names of the speakers, listeners, or narrator if relevant (1 mark)</li>

  <li>When and where this passage takes place in the book if relevant (1 mark)</li>

  <li>The <span style="font-style: italic;">significance</span> of this passage. Questions you will need to consider in this regard include: What do we learn from this passage? Does this passage affect the overall plot of the text? Which of the major themes in the text are present here? How does this passage tie into other themes or ideas we’ve seen in some of the other novels we’ve looked at in the course? What else do you notice about this passage? (7-9 marks)</li>
</ul>
<p>ANSWER ONLY IN COMPLETE SENTENCES AND PUT YOUR ANSWER IN PARAGRAPH FORM. WRITE AS MUCH AS YOU CAN WHEN ANSWERING EACH OF THESE. IT IS IMPOSSIBLE TO ANSWER THE QUESTION FULLY IN JUST A FEW SHORT SENTENCES.</p>
<p><strong>PART B (40 points):</strong></p>
<p><strong>USING AS YOUR CHIEF EXAMPLES THREE TEXTS WE HAVE DISCUSSED IN CLASS, WRITE AN ESSAY THAT FULLY ANSWERS ONE OF THE FOLLOWING QUESTIONS (N.B. only two of the following questions will be on the actual final exam)</strong></p>
<p>1. In this course, we have studied a wide variety of Canadian fiction. If someone were to ask you what Canadian fiction is like, how would you describe it based on what we've read? Your answer must take into account the complex issues we have discussed in class as well as the diversity of texts we have read. Your discussion must also include a detailed discussion of at least three texts covered in this course.</p>
<p>2. Almost everyone of the books we read this semester engages with the tenuous line between "fact" and "fiction." Looking at three of the books we've read, examine this theme and describe how it comes into play in each work.</p>
<p>3. Memory is a significant theme in many of the works we have looked at in this course. With reference to three of the texts we have read in the class, discuss the role of memory in each.</p>
<p><strong>N.B. Over the course of the exam, you may not focus on the same work twice.</strong></p>
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</content>
</entry>
<entry>
<title>Blog and participation grades</title>
<link rel="alternate" type="text/html" href="http://pwmartin.blog.uvm.edu/180/archives/blog_and_participation_grades.php" />
<modified>2007-12-03T15:17:32Z</modified>
<issued>2007-12-03T15:14:00Z</issued>
<id>tag:pwmartin.blog.uvm.edu,2007:/180/6.756</id>
<created>2007-12-03T15:14:00Z</created>
<summary type="text/plain">We&apos;ve briefly discussed this in class a couple of times, but here&apos;s a more extensive breakdown of how I determine blog and participation grades: Blog grade: A: To earn an A on the blog component of the course all assignments...</summary>
<author>
<name>pwmartin</name>
<url>http://www.uvm.edu/~pwmartin</url>
<email>Paul.Martin@uvm.edu</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://pwmartin.blog.uvm.edu/180/">
<![CDATA[<p>We've briefly discussed this in class a couple of times, but here's a more extensive breakdown of how I determine blog and participation grades:</p>
<p><strong>Blog grade:</strong></p>
<p>A: To earn an A on the blog component of the course all assignments must have been completed and comments posted by the assigned deadline. Comments are thoughtful, fully answer the question asked, and, if specified, take into account the comments of other students.</p>
<p>B: All assignments completed, mostly on time. Thoughtful comments, though perhaps briefer and less engaging than those that merit an A.</p>
<p>C: Most assignments completed, primarily at the end of the semester and/or comments are short, perfunctory answers to the blog prompt with little consideration of the comments of others.</p>
<p>D: Only partial completion of the assignments and comments show little commitment to making a contribution to the discussion.</p>
<p>F: Failure to complete more than 50% of the assigned blog questions.</p>
<p><strong>Participation grade:</strong></p>
<p>A: Nearly 100% attendance, unless due to illness or family emergency AND active participation in class. Clearly on top of the reading and regularly speaks in class. Always engaged in the discussion, whether vocally contributing or not.</p>
<p>B: Missed very few classes (2 or 3 max), unless due to illness or family emergency. Participated in class vocally on a fairly regular basis, but, more importantly, is always listening and attentive to the ongoing discussion. Unprepared for class occasionally, but usually caught up on the reading and willing to contribute.</p>
<p>C: Misses more than three classes for reasons other than illness or family emergency. Clearly behind in the reading on at least several occasions. Mostly attentive and speaks in class several times over the course of the semester. Makes a good effort to stay involved in class discussion and appears interested.</p>
<p>D: Regularly missing from class and/or frequently appears disinterested. Routinely behind on reading and fails to bring books to class. Leaves class from time to time to take phone calls thinking that the professor thinks they are using the bathroom, continually passes notes back and forth with someone else, works on other homework, reads the newspaper during class, checks e-mail or text messages while instructor or classmates are speaking, all of which, I should add, are apparent to the instructor and your classmates and immediately qualify you for a D.</p>
<p>F: Attendance and participation not worthy of a D or higher. Failure to attend most classes and/or to participate in any meaningful way.</p>
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</content>
</entry>
<entry>
<title>Monkey Beach blog prompt</title>
<link rel="alternate" type="text/html" href="http://pwmartin.blog.uvm.edu/180/archives/monkey_beach_blog_prompt.php" />
<modified>2007-12-03T15:07:08Z</modified>
<issued>2007-12-03T15:07:03Z</issued>
<id>tag:pwmartin.blog.uvm.edu,2007:/180/6.754</id>
<created>2007-12-03T15:07:03Z</created>
<summary type="text/plain">So, now that you&apos;ve finished reading Monkey Beach, what did you think? Which part(s) of the book did you find most interesting? Any questions about the book you&apos;d like us to cover in class? You might also want to check...</summary>
<author>
<name>pwmartin</name>
<url>http://www.uvm.edu/~pwmartin</url>
<email>Paul.Martin@uvm.edu</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://pwmartin.blog.uvm.edu/180/">
<![CDATA[<p>So, now that you've finished reading Monkey Beach, what did you think? Which part(s) of the book did you find most interesting? Any questions about the book you'd like us to cover in class?</p>
<p>You might also want to check out the <a href="http://www.uvm.edu/~canada/podcasts.html">video</a> of Eden Robinson's reading here last fall.</p>
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</content>
</entry>
<entry>
<title>Second essay topic</title>
<link rel="alternate" type="text/html" href="http://pwmartin.blog.uvm.edu/180/archives/second_essay_topic.php" />
<modified>2007-11-26T20:10:35Z</modified>
<issued>2007-11-26T20:08:51Z</issued>
<id>tag:pwmartin.blog.uvm.edu,2007:/180/6.748</id>
<created>2007-11-26T20:08:51Z</created>
<summary type="text/plain">As we discussed in detail on November 13, your assignment for the second essay is to create your own topic that allows you to look at a common theme or connection between two of the final books we&apos;ve looked at...</summary>
<author>
<name>pwmartin</name>
<url>http://www.uvm.edu/~pwmartin</url>
<email>Paul.Martin@uvm.edu</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://pwmartin.blog.uvm.edu/180/">
<![CDATA[<p>As we discussed in detail on November 13, your assignment for the second essay is to create your own topic that allows you to look at a common theme or connection between two of the final books we've looked at in this course (<span style="text-decoration: underline;">The Diviners</span>, <span style="text-decoration: underline;">In the Skin of a Lion</span>, <span style="text-decoration: underline;">George and Rue</span>, and <span style="text-decoration: underline; -webkit-text-decorations-in-effect: underline;">Monkey Beach</span>). If there's a different Canadian book that you've read that you'd like to discuss in your essay, you may do so in place of one of the other texts we've read in class.</p>
<p>Make sure that the topic is narrow enough that you can answer it sufficiently and in enough detail in a 2000 word essay. Although I've chosen not to require you to do secondary research, I encourage you to do so if it's relevant to your topic.</p>
<p>I recommend that you run your topic by me either in person or by e-mail. I'm also willing, if time permits, to review introductory paragraphs and/or outlines to help make certain that you are on the right track.</p>
<p><span style="font-weight: bold;">DUE: Tuesday, December 4th. Extensions are a possibility, but if you do ask for one I can't guarantee that you'll receive your essay back much before the exam on December 10.</span></p>
<p><span style="font-weight: bold;">WORD LENGTH: 2000 words</span></p>
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</content>
</entry>
<entry>
<title>George Elliott Clarke links</title>
<link rel="alternate" type="text/html" href="http://pwmartin.blog.uvm.edu/180/archives/george_elliott_clarke_links.php" />
<modified>2007-11-26T20:00:48Z</modified>
<issued>2007-11-26T20:00:29Z</issued>
<id>tag:pwmartin.blog.uvm.edu,2007:/180/6.747</id>
<created>2007-11-26T20:00:29Z</created>
<summary type="text/plain"> As a supplement to our reading of George and Rue, you might be interested in checking out the following links: The Canadian Studies Program&apos;s podcasts page has a link to a video podcast of George Elliott Clarke&apos;s reading here...</summary>
<author>
<name>pwmartin</name>
<url>http://www.uvm.edu/~pwmartin</url>
<email>Paul.Martin@uvm.edu</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://pwmartin.blog.uvm.edu/180/">
<![CDATA[<div style="text-align: center;">
  <img src="http://pwmartin.blog.uvm.edu/180100_0688.jpg" width="309" height="231" alt="George Elliott Clarke"/><br />
</div>
<p>As a supplement to our reading of George and Rue, you might be interested in checking out the following links:</p>
<ul>
  <li>The Canadian Studies Program's <a href="http://www.uvm.edu/~canada/podcasts.html">podcasts page</a> has a link to a video podcast of George Elliott Clarke's reading here last fall (the podcast is in three parts).</li>

  <li>A <a href="http://www.cbc.ca/arts/books/georgeandrue.html">review</a> of George and Rue by Canadian writer Lawrence Hill</li>

  <li>An excellent <a href="http://www.abc.net.au/rn/arts/bwriting/stories/s1355581.htm">interview</a> with George by Ramona Koval of the Australian Broadcasting Corporation</li>
</ul>
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</content>
</entry>
<entry>
<title>George and Rue blog prompt</title>
<link rel="alternate" type="text/html" href="http://pwmartin.blog.uvm.edu/180/archives/george_and_rue_blog_prompt.php" />
<modified>2007-11-23T22:09:16Z</modified>
<issued>2007-11-23T22:09:11Z</issued>
<id>tag:pwmartin.blog.uvm.edu,2007:/180/6.745</id>
<created>2007-11-23T22:09:11Z</created>
<summary type="text/plain">Many of the books we&apos;ve dealt with this year have been ones in which we&apos;ve looked at the connections between the works of literature and actual people and/or events. This is particularly relevant to George Elliott Clarke&apos;s George and Rue...</summary>
<author>
<name>pwmartin</name>
<url>http://www.uvm.edu/~pwmartin</url>
<email>Paul.Martin@uvm.edu</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://pwmartin.blog.uvm.edu/180/">
<![CDATA[<p>Many of the books we've dealt with this year have been ones in which we've looked at the connections between the works of literature and actual people and/or events. This is particularly relevant to George Elliott Clarke's <span style="text-decoration: underline;">George and Rue</span> in that it retells the story of a violent murder committed by George and Rufus Hamilton and of their trial and execution for the crime. The novel, though, as Clarke tells us in the "Verdict" section of the book, is "fiction, and [Clarke has] taken prodigious and relentless liberties with 'facts,' so that psychologies, identites, genealogies, and even some place descriptions are purely imaginary" (219).</p>
<p>What is your reaction to these "relentless liberties"? Does an artist have a responsibility to stay as "true" to the past as he or she can, or is it in fact his or her responsibility to create a powerful work of art first that helps us to understand the past through a different lens?</p>
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</content>
</entry>
<entry>
<title>In the Skin of a Lion resources</title>
<link rel="alternate" type="text/html" href="http://pwmartin.blog.uvm.edu/180/archives/in_the_skin_of_a_lion_resources.php" />
<modified>2007-11-08T15:26:31Z</modified>
<issued>2007-11-08T15:26:16Z</issued>
<id>tag:pwmartin.blog.uvm.edu,2007:/180/6.744</id>
<created>2007-11-08T15:26:16Z</created>
<summary type="text/plain">It is important to know that the places and a number of the characters described in the book were real (Ondaatje did meticulous research into the history of Toronto and its immigrant populations while writing the novel). You can find...</summary>
<author>
<name>pwmartin</name>
<url>http://www.uvm.edu/~pwmartin</url>
<email>Paul.Martin@uvm.edu</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://pwmartin.blog.uvm.edu/180/">
<![CDATA[<p>It is important to know that the places and a number of the characters described in the book were real (Ondaatje did meticulous research into the history of Toronto and its immigrant populations while writing the novel). You can find some helpful background information about these places online. One of the most fascinating webpages you'll find on the novel is this one from the <a href="http://www.city.toronto.on.ca/archives/skin_of_a_lion2.htm">City of Toronto Archives</a>. Here you can see some of the actual photographs described in the novel, including the picture of two men shaking hands in the tunnel underneath Lake Ontario and the one of the cyclist darting across the Bloor Street Viaduct on the day it was christened and opened to the public.</p>
<p>You'll see a period photo of the Harris Filtration plant, the "Palace of Purification" on the City of Toronto Archives site, but this plant still exists and <a href="http://www.hainsworth.com/qtvr/rcharris/">it has its own website</a> where you can actually do a virtual tour of the complex. There's also an <a href="http://www.city.toronto.on.ca/water/supply/supply_facilities/rcharris.htm">aerial shot here</a>.</p>
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</content>
</entry>
<entry>
<title>Times to meet to discuss Next Episode</title>
<link rel="alternate" type="text/html" href="http://pwmartin.blog.uvm.edu/180/archives/times_to_meet_to_discuss_next_episode.php" />
<modified>2007-11-08T15:11:09Z</modified>
<issued>2007-11-08T15:11:03Z</issued>
<id>tag:pwmartin.blog.uvm.edu,2007:/180/6.743</id>
<created>2007-11-08T15:11:03Z</created>
<summary type="text/plain">I&apos;m happy to meet with those of you who didn&apos;t get a copy of Next Episode in time for our discussions of the novel. If you did have the book, but would still like to meet to discuss the book,...</summary>
<author>
<name>pwmartin</name>
<url>http://www.uvm.edu/~pwmartin</url>
<email>Paul.Martin@uvm.edu</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://pwmartin.blog.uvm.edu/180/">
<![CDATA[<p>I'm happy to meet with those of you who didn't get a copy of Next Episode in time for our discussions of the novel. If you did have the book, but would still like to meet to discuss the book, that's great, too.</p>
<p>Here are two slots where I'm available in the next few days. Please let me know if you intend to come, as I might make other plans for this time if I don't hear from anyone. If neither of these times works for you, let me know and we can set something else up. I don't expect we'll need more than one hour, but I'm making these spots 90 minutes in case we need more than that.</p>
<p><strong>Thursday, Nov. 8: 1 - 2:30 pm</strong></p>
<p><strong>Friday, Nov. 9: 9:30 - 11 AM</strong></p>
<p><strong>Friday, Nov. 9: 2:00 - 3:30 pm</strong></p>
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</content>
</entry>
<entry>
<title>In the Skin of a Lion blog posting</title>
<link rel="alternate" type="text/html" href="http://pwmartin.blog.uvm.edu/180/archives/in_the_skin_of_a_lion_blog_posting.php" />
<modified>2007-11-07T03:56:21Z</modified>
<issued>2007-11-07T03:54:13Z</issued>
<id>tag:pwmartin.blog.uvm.edu,2007:/180/6.742</id>
<created>2007-11-07T03:54:13Z</created>
<summary type="text/plain">What&apos;s your reaction to In the Skin of a Lion? What part(s) of this book did you find most interesting and/or enjoyable?...</summary>
<author>
<name>pwmartin</name>
<url>http://www.uvm.edu/~pwmartin</url>
<email>Paul.Martin@uvm.edu</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://pwmartin.blog.uvm.edu/180/">
<![CDATA[<p>What's your reaction to <span style="text-decoration: underline;">In the Skin of a Lion</span>? What part(s) of this book did you find most interesting and/or enjoyable?</p>
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</content>
</entry>

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